Description of Class
The next cohort will begin in January 2019.
APPLICATION PERIOD IS NOW CLOSED.
If you are looking to build an exciting, new world from the ground up, this is the place for you!
Novel in a Year: Speculative Fiction is a unique opportunity to join a writing community, study novel craft, workshop key scenes, refine your craft, measure your progress, meet deadlines, and give and get support for the long journey from plotting to composition and beyond. Benefit from special Master Classes with visiting authors, enjoy several writing excursions with other novelists, and bond with your fellow authors of fantasy, science fiction, horror, and beyond.
It’s a chance to devote an entire year to your novel, giving it the attention and effort your work deserves. Multi-genre author Richard Thomas (Disintegration, Breaker) will help you through the drafting process and provide personalized guidance and feedback on your manuscript.
WHAT’S DIFFERENT ABOUT THE SPECULATIVE FICTION PROGRAM?
You might have heard of our other Novel in a Year programs. This unique genre-focused program will guide you through all the general novel-writing techniques and practices, while also offering a more fine-tuned guidance toward the world-building and plot-heavy nature that typically comes with speculative and genre fiction. Genres for this class: primarily fantasy, science fiction, horror, magical realism, transgressive, new weird, and various related sub-genres (for example, alternative history, or steampunk).
WHO SHOULD APPLY:
Students at any stage of novel drafting, but with a background in the formal study of creative writing, are encouraged to apply. You may be anywhere in the first draft of a novel – some students may have completed a 500-page draft; others may have nothing more than an idea and a first sentence. Work of any speculative genre is welcome.
This class will also presume a solid craft vocabulary, some workshop experience, and significant writing skill. Having some experience with drafting, editing, and submitting for publication (even short stories) will help you be familiar with the similar process and structure that will be applied to the novel form. However, it’s not a prerequisite for this course. If you are newer to this process, but feel you have the ability, submit your writing and let us decide. We will work with you if you are ready to take the leap, and have a strong voice and POV.
This application-based class is selective. We are looking for students with talent and drive, though familiarity with the workshop process or previous experience writing a novel is not mandatory.
WHAT YOU’LL LEARN:
Specific topics covered during the class sessions include:
- Narrative Hooks
- Freytag’s Triangle
- The Big Picture—Outline, Plot, and Structure
- Understanding Genre and Innovating Story
- World Building and Setting
- Revealing Character
- Body, Mind, and Soul—Finding Depth
- Sensory Details—Creating Immersion
- Endings (Chapters and Novels)
- Developmental vs. Line Edits
- Representing Your Novel
- The Publication Process
PLEASE NOTE: This program is for novelists who are ready to make a strong commitment to their work, and our waitlist for the course is typically very long. Students will be expected to participate in the full program.
HOW IT WORKS
Students will meet monthly for three-hour sessions to discuss craft, solve drafting challenges, workshop scenes, and share some snacks and beverages. In between class sessions you’ll have plenty of time to write and generate new work while still staying in touch via StoryStudio’s private online class forum.
We’ve structured this program to provide maximum benefit without demanding too much time away from focusing on your own work. In addition to workshopping short scenes in class, participants will meet individually with Richard for 100-page manuscript reviews.
Students enrolled in this course will receive complimentary admission and early registration to five classes from our acclaimed Master Class series throughout the year. (Recent and upcoming writers include Alexander Chee, Margot Livesey, Vu Tran, R.O. Kwon, and Stuart Dybek, among others.)
The class also includes a one-day offsite writers retreat, where you can spend the day writing and thinking, with breaks to mingle at lunch and over drinks with students in our other novel workshops. Additionally, throughout the year we will organize two optional evening social gatherings. As a writer in our Novel in a Year program, you’re considered a “VIP” at the studio.
Throughout the course, you’ll have access to a private online forum for exchanging additional work and sharing articles and links of interest. And most importantly, these courses provide accountability check-ins to report your progress and struggles, and keep you writing.
YOUR WRITING COMMUNITY
Whether you’ve already made headway on your novel or are just gathering ideas, your cohort will provide the structure, companionship, feedback, good humor, and emotional support to help you see your project through.
You’ll also join StoryStudio’s larger community—in person and on social media—where you can connect with students from other classes, receive “first chance” invitations to special programming, and stay informed about literary events around the city.
The Novel In a Year program has been going for seven years strong, and you will have the opportunity to benefit socially and professionally from a strong network of alumni, many of whom are experiencing publishing success.
Program fee: $2,495
This course is limited to 12 students and is submission based.
- You will be asked to submit a 10-page writing sample in a .doc or PDF. The sample can be a short story or novel excerpt.
Authors that Richard has taught and/or edited have gone on to land agents; publish novels with small, medium, and large presses; publish stories with a wide range of magazines, websites, and anthologies; get nominations and win awards in a variety of genres (such as the Bram Stoker Award, Shirley Jackson Award, Nebula Award, Folio Prize, and the 2016 winner of the L. Ron Hubbard Writers of the Future contest); make it into a number of different “best of the year” anthologies; and get accepted into various workshops, retreats, and MFA programs (such as Clarion, Clarion West, Clarion 2018, Futurescapes, Odyssey, Spaulding, Stonecoast, UC-Riverside, The Writer’s Foundry, and the Emerson College Master of Fine Arts in Popular Fiction Writing program)Top